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Recent Acquisitions
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PAUL QUVIQ MALLIKI (1956-) NAUJAAT (REPULSE BAY)
Caribou Caught a Scent, 2004
stone and antler, 13.25 x 13 x 6.5 in (33.7 x 33 x 16.5 cm), measurements reflect dimensions with inset antlers signed, "PAUL / MALLIKI / ᑦᑯᕕᖅ / 2004".
The composition of the present work reveals a thoughtful balance between solidity and motion. The stone is evenly worked, allowing the form to emerge with clarity and intent. The animal’s posture is carefully constructed: its head raised, the snout tapering in a way that draws the viewer’s eye forward, neck angled just enough to suggest tension without strain. The lifted foreleg introduces a sense of momentum, while the spacing between the limbs opens the figure to light and air, giving it room to move visually, if not physically. Striking, too, are the large, sculpted antlers, their broad, arching forms echoing the lift of the animal’s gaze. The sculpture moves beyond anatomical fidelity, it exquisitely captures the momentary grace of an animal aware, poised, and in motion.
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LARRY ROSSO (1944-2006) DAKELH (CARRIER/LAKE BABINE NATION), Kolus, 1968View Details
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PITSEOLAK NIVIAQSI, R.C.A. (1947-2015) KINNGAIT (CAPE DORSET)
Bird with Captured Fish, c. early 2000s
stone, 12 x 15 x 3.5 in (30.5 x 38.1 x 8.9 cm)
Pitseolak Niviaqsi was the son of the famous Niviaqsi (1908-1959) and certainly inherited his father’s skills. A master lithographer, he devoted much of his time to the printmaking studios in Cape Dorset, creating several hundred prints since the mid 1970s. Due to his extensive work in the print studio, however, Niviaqsi was not a prolific sculptor until his “retirement” in 1990.
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